- A Statement from the Editors Concerning a 2026 Contest Finalist [538hr]
- REVIEW: Relative Strangers: Inheritance, Identity and the Meaning of Kinship, Edited by B.K. Jackson [602hr]
- REVIEW: Bitter, Sweet: How to Heal Yourself When Your Family Is Broken by Stephanie Weaver [602hr]
- REVIEW: Correction: Parole, Prison, and the Possibility of Change by Ben Austen [602hr]
- REVIEW: United States of Rejection: A Story of Love, Hate, and Hope by Alison Kinney [602hr]
- REVIEW: Take This For the Pain: Essays on Writing and Life by Alex Boyd [602hr]
- REVIEW: Rough House by Alison Lyn Miller [602hr]
- REVIEW: Monster of a Land: On the Road in Search of Modern America by Lauren Hough [602hr]
- REVIEW: Other People’s Mothers by Julie Marie Wade [602hr]
- REVIEW: Writing During the Apocalypse: Reflections on the Great Unraveling by Ed Simon [602hr]
- REVIEW: A Prescription for Burnout by Carolyn Roy-Bornstein [602hr]
- REVIEW: The Light Between Apple Trees by Priyanka Kumar [1491hr]
- REVIEW: Tell Me How You Eat: Food, Power, and the Will to Live by Amber Husain [1491hr]
- INTERVIEW: A Conversation with Brenda Miller, Author of Love You, Bye: A Daughter’s Journey in Essays and Poems [1491hr]
- REVIEW: Hit Repeat Until I Hate Music: The March Xness Anthology, Edited by Ander Monson and Megan Campbell [1537hr]
- Ndayé Kouagou “Heaven’s Truth” at Collezione Maramotti, Reggio Emilia [114hr]
- “Performing Conditions” at MIT List Visual Arts Center, Cambridge, MA [114hr]
- Gabrielle Goliath “Elegy” at Chiesa di Sant’Antonin, Venice [114hr]
- “Flare-Up” at Goldsmiths CCA, London [114hr]
- Andrea Bocca “La Salita” at Fertile, Brescia [135hr]
- Lily van der Stokker “Male Art Exhibition, Great Show!” at kaufmann repetto, New York [154hr]
- Richard Hawkins “Potentialities” at Kestner Gesellschaft, Hannover [155hr]
- Carol Bove at Guggenheim Museum, New York [156hr]
- “If words are to be sounded” at CAP • Centre d’Art de Saint-Fons, GAK Bremen, Le 19 Crac Montbéliard [156hr]
- “The Double” at Dracula’s Revenge, New York [158hr]
- Haegue Yang “Star-Crossed Rendezvous” at MOCA Geffen, Los Angeles [178hr]
- “The importance of staying quiet 5. Fahd Burki II.b” at Grey Noise, Dubai [180hr]
- Carol Rama “I See You You See Me” at Hauser & Wirth, New York [181hr]
- Carrie Mae Weems, “The Long Goodbye” at V&A East, London [182hr]
- Valie Export at Karma International, Zurich [183hr]
- edited by Valentin Bansac, Mike Fritsch, Alice Loumeau, Peter Szendy – Ecotones, Investigating Sounds and Territories [21hr]
- Biblically Accurate Babe, artificial sacrality and profanity [140hr]
- RLW – C.D. [162hr]
- 14 prepared dc-motors, 24 polyethylene tanks, 216m piano strings, resonating multitude [212hr]
- Wolfgang Seidel – Friendly Electrons [283hr]
- Brandon LaBelle – Poetics of Listening. Inner Life, Social Transformation, Planetary Practices [333hr]
- Fani Konstantinidou – Undertones [378hr]
- The Muonophone, playing with outer space particles [452hr]
- Kunrad – Kleine Geluiden [498hr]
- Évelyne Gayou – A Revolution in Music: The History of the Groupe de Recherches Musicales [549hr]
- OTHERWORLDS, collective XR ritual [620hr]
- VV.AA. – Ubikuitous | Music inspired by Philip K. Dick’s dystopias [666hr]
- Daniel Temkin – FORTY-FOUR ESOLANGS, The Art of Esoteric Code [716hr]
- Louise Rossiter – Der Industrieplast, Pt. II [786hr]
- Cosmo metabolization, reconfiguring flows of energy [837hr]